the mommy avenger

This weekend, I had the privilege of attending the Utah Symphony’s performance of The Film Music of John Williams, and let me just say—I was absolutely mesmerized from the moment the first note filled the air. It was an evening that transported me to galaxies far, far away, into the depths of dinosaur-infested jungles, and even to the poignant streets of Krakow during World War II.

The incomparable David Robertson conducted the evening’s program, and let me tell you, he didn’t just wave the baton—he hosted the event with flair. Between pieces, Robertson shared delightful anecdotes and behind-the-scenes stories about John Williams’ creative genius, making us feel like we were insiders in the world of film scoring. His wit and charisma were the perfect complement to the evening, and his deep admiration for Williams was palpable, elevating the music even further.

The program began with the music from Cowboys, and although I was unfamiliar with the music, I loved it. From there, we were treated to a cascade of iconic melodies: the whimsical charm of Hook, the soaring heroism of Superman, and, of course, the unmistakable majesty of Star Wars. Each piece seemed to outdo the last, and I found myself sitting at the edge of my seat, engrossed in every moment.

But it wasn’t just nostalgia that made this performance special; it was the incredible talent of the Utah Symphony. They captured every nuance of Williams’ music, from the lightest flutter of a flute to the thunderous roar of the brass. And when those familiar opening notes of Jurassic Park swelled through the hall? Goosebumps. Pure goosebumps.

No evening of John Williams would be complete without Harry Potter, and hearing the theme live was like experiencing the magic of Hogwarts all over again. It’s one thing to watch these films and hum along to the music, but hearing it performed live? It’s like the difference between seeing a picture of a sunset and standing on the cliffside, bathed in its golden glow.

As incredible as every single piece was, the absolute highlight of the evening for me came when the Symphony turned to Williams’ hauntingly beautiful score for Schindler’s List. Violinist Madeline Adkins took center stage for three pieces, including Jewish Town (Krakow Ghetto, Winter ’41). Her performance was nothing short of breathtaking.

There was a raw, emotional depth to her playing that brought tears to my eyes. The way the music captured both the sorrow and resilience of the human spirit was utterly moving. Adkins’ violin sang with a voice so pure and so sorrowful that it felt as though time stopped in the concert hall. It was a stark reminder of why John Williams’ music resonates so deeply—he has an unparalleled ability to convey the complexity of human emotion through his compositions.

The program ended with the rousing and adventurous notes of Indiana Jones—a piece so thrilling that I could almost see Indy swinging across the stage, whip in hand. Walking out of the hall, I couldn’t stop smiling (and humming). This concert was amazing! It was a journey through the soundtracks of our lives. David Robertson’s enthusiasm and the Utah Symphony’s brilliance brought each piece to life in a way that felt fresh and new, even for classics we’ve all heard countless times.

It’s easy to forget to carve out moments for myself. But this evening reminded me why it’s so important to pause, to immerse myself in something beautiful, and to just feel.

If the Utah Symphony ever performs this program again—or if you have the chance to hear a similar concert—don’t walk, RUN to get tickets. This was a night I’ll treasure forever, and one that reaffirmed my love for the timeless genius of John Williams.

Until next time, may the Force (and good music) be with you!

^{*we were invited to facilitate a feature, all opinions are our own*}